Daniel
Mullen, Aligning Monolith (Monolith 000),
2017, Acrylic on linen, 150x120x4,5 cm |
59x47¼x1¾ inches
Paolo
Cavinato,
Iridescence
#19 (blanket), 2020, enamel and acrylic on
fluorocarbon line, Museum Glass, frame,
aluminium background, 40x30x6 cm |
15¾x12x2,5 inches
Iridescence
#8 (enigma), 2019, enamel and acrylic on
fluorocarbon line, Museum Glass, frame,
aluminium background, 40x30x6 cm |
15¾x12x2,5 inches
Into
the room, 2020, enamel and acrylic on
fluorocarbon line, mirroring frame,
aluminum background, Museum Glass,
80x80x10 cm | 31½x31½x4 inches
Paolo
Cavinato, Into the room, 2020, enamel
and acrylic on fluorocarbon line,
mirroring frame, aluminum background,
Museum Glass, 80x80x10 cm | 31½x31½x4
inches
Paolo
Cavinato, Iridescence #7(spectrum),
2019, enamel and acrylic on
fluorocarbon line, Museum Glass,
frame, aluminium background, 40x30x6
cm | 15¾x12x2,5 inches
view
of the show
Sali
Muller, Die Welt steht Kopf,
2020, VSG double-sided mirror,
glass bottles, 40x20x32 cm |
15¾x8x12½ inches
+
Paolo
Cavinato, Iridescence #22 (Fata
Morgana), 2020, enamel and
acrylic on fluorocarbon line,
Museum Glass, frame, aluminium
background, 60x60x7,5 cm |
23¾x23¾x3 inches
Paolo
Cavinato, Iridescence #22
(Fata Morgana), 2020, enamel
and acrylic on fluorocarbon
line, Museum Glass, frame,
aluminium background,
60x60x7,5 cm | 23¾x23¾x3
inches
Daniel
Mullen, Radiating Space #2
(Spatial Feedback 001), 2016,
Acrylic on linen 160x170x4,5
cm | 63x67x1¾ inches
detail of Daniel Mullen,
Radiating Space #2 (Spatial
Feedback 001), 2016, Acrylic
on linen 160x170x4,5 cm |
63x67x1¾ inches
view
of the show
Paolo
Cavinato,
Iridescence
#18 (blanket), 2019,
enamel and acrylic on
fluorocarbon line,
Museum Glass, frame,
aluminium background,
60x60x7 cm | 23¾x23¾x3
inches
Iridescence
#14 (blanket), 2019,
enamel and acrylic on
fluorocarbon line,
Museum Glass, frame,
aluminium background,
40x30x6 cm | 15¾x12x2,5
inches
Daniel
Mullen, Repetition
Initiated(Non-functional
Space 003), 2015, oil
on linen, 100x100x4,5
cm | 39½x39½x1¾ inches
view
of the show
Sali
Muller, Die Welt
steht Kopf, 2020,
VSG double-sided
mirror, glass
bottles, 80x30x48
cm | 31½x11¾x19
inches
Sali
Muller, Die Welt
steht Kopf,
2020, VSG
double-sided
mirror, glass
bottles,
80x30x48 cm |
31½x11¾x19
inches
Daniel
Mullen,
Labyrinth(Surfacing
Series 001),
2016, acrylic
on linen,
60x40x4 cm |
23½x15¾x1½
inches
Paolo
Cavinato,
Solaris, 2020,
enamel and
acrylic on
fluorocarbon
line, Museum
glass, frame,
aluminium
background,
60x140x10 cm |
23¼x55¼x4
inches
+
Daniel
Mullen,
Monolith
(Monolith
001), 2017,
acrylic on
linen,
125x135x4,5 cm
| 49¼x53¼x1¾
inches
Paolo
Cavinato,
Solaris, 2020,
enamel and
acrylic on
fluorocarbon
line, Museum
glass, frame,
aluminium
background,
60x140x10 cm |
23¼x55¼x4
inches
detail
of Paolo
Cavinato,
Solaris, 2020,
enamel and
acrylic on
fluorocarbon
line, Museum
glass, frame,
aluminium
background,
60x140x10 cm |
23¼x55¼x4
inches
Daniel
Mullen,
Monolith
(Monolith
001), 2017,
acrylic on
linen,
125x135x4,5 cm
| 49¼x53¼x1¾
inches
Daniel
Mullen,
Monolith
(Monolith
001), 2017,
acrylic on
linen,
125x135x4,5 cm
| 49¼x53¼x1¾
inches
Daniel
Mullen, Slant
(White Series
003), 2015,
oil on linen,
30x30x4 cm |
11¾x11¾x1½
inches
Daniel
Mullen,
Above
the Void
(White Series
001), 2015,
oil on linen,
40x40x4 cm |
15¾x15¾x1½
inches
Becoming
(White Series
002), 2015,
oil on linen,
40x60x4 cm |
15¾x23½x1½
inches
Across
the Void
(White Series
000), 2015,
oil on linen,
40x40x4 cm
15¾x15¾x1½
inches
Stefan
Milosavljevic,
What
about the
beauty when
you’re running
from the
death? , 2020,
markers,
adrenaline,
59,4x84,1
cm|23 ½x33 ¼
inches + frame
Mundos
perdidos que
se acarician
suavemente,
2020 black
marble,
marble,
35x35x35 cm |
13 ¾ x13 ¾ x13
¾ inches
Stefan
Milosavljevic,
Mundos
perdidos que
se acarician
suavemente,
2020 black
marble,
marble,
35x35x35 cm |
13 ¾ x13 ¾ x13
¾ inches
Stefan
Milosavljevic,
What about the
beauty when
you’re running
from the
death? , 2020,
markers,
adrenaline,
59,4x84,1
cm|23 ½x33 ¼
inches + frame
detail
of Stefan
Milosavljevic,
What about the
beauty when
you’re running
from the
death? , 2020,
markers,
adrenaline,
59,4x84,1
cm|23 ½x33 ¼
inches + frame
Paolo
Cavinato,
Iridescence #3
(the origin of
a square),
2019, enamel
and acrylic on
fluorocarbon
line, Museum
Glass, frame,
aluminium
background,
40x30x6 cm |
15¾x12x2,5
inches
Daniel
Mullen,
Interactions
#6
(Interaction
Series 011),
2018, Acrylic
on linen, 98x
93x55x4,5 cm |
38½x36¾x1¾
inches