view of the show: Andrea Carpita - Fabio Lattanzi Antinori
view of the show: Michael Bevilacqua - Michael Johansson
view
of the show: Matthew Allen
view
of the show: Matthew Allen - Sauro Cardinali
view
of the show: Michael Bevilacqua - Cosimo Casoni - Matthew
Allen
view
of the show: Michael Bevilacqua - Cosimo Casoni - Sauro
Cardinali
View of the show: Michael Bevilacqua - Paolo Cavinato -
Cosimo Casoni
view of the show: Paolo Cavinato - Jonathan Vivacqua -
Fabio Lattanzi Antinori
View of the show: Jonathan Vivacqua
view
of the show: Cosimo Casoni - Jonathan Vivacqua
Jonathan
Vivacqua, Dino, 2017, plasterboard+XPS, cm
40,5x30,5x4,5 | 16"x12"x1¾"
Michael
Bevilacqua, He's got...Blue balls, 2008,
acrylic on linen, cm 152x122 | 60"x48"
Dawn,
2013, Bags, boxes, ordinary items, cm
80x80x80 |31½"x31½"x31½"
Andrea Carpita, Minimum Portrait
(Goodnight Olga), 2017, oil, mixed media
and wax on canvas, 150x100 cm | 59"x39"
Sauro Cardinali, Talismano omeopatico,
1991, ceramic, leather, steel, 28x70x72
cm | 11"x27½"x28¼"
Matthew
Allen, Sigil #3, 2017, Polished
graphite and joint compound on linen,
40x30x2 cm | 15¾”x11¾”x¾”
Fabio
Lattanzi Antinori, Dataflags
Interactive Sound Sculpture, 2014,
Somerset paper, screenprint, data
from last ten years of Lehman
Brothers’s financial trading,
electric paint, sound-system, custom
code, voice soprano (Madge), 240x140
cm | 94½"x55"
Michael
Bevilacqua, Mother Sky III, 2015,
acrylic, spray paint on canvas,
208x150 cm / 82"x59"
Paolo
Cavinato, Hidden Steps #3, 2016,
lacquered wood, h 190x85x76 cm |
h 74¾"x33½"x30"
Cosimo
Casoni, Canvas Ride #5, 2017,
oil, soiled and bitumen on
canvas, 200x150 cm | 78¾"x59"
Jonathan
Vivacqua, General Perimeter
Supstand, 2017, Armstrong
aluminium trims, 300x230x80
cm | 118"x90½"x31½"
Cosimo
Casoni, Untitled (All),
2016, oil, spray paint,
soiled and bitumen on
canvas, 170x120 cm |
67"x47½"
Fabio Lattanzi Antinori,
A New Evidence II
sculpture, 2016,
Screenprint on Somerset
paper, data from dark
pools(source 2014),
custome supports,
Variable dimensions
inches